Good afternoon, my dear crumpets! How are we today? That’s tops, good to hear. Well, guess what? The noms for the Golden Globes were released the other day! Wait, what… what do you mean you don’t CARE? Oh hush, you are simply no fun. The Globes are there to show us pre-emptively how badly the Oscars are going to cock everything up, it’s like seeing into the future. And also they do TV!
So here are all the categories I care about, WITH COMMENTARY (lawks!). Be warned that a lot of the films nommed haven’t been released in Australia yet, so I’m probably going to waffle a lot about how excited I am to see/am indifferent to/have no interest in whatever film is in question.
Best Motion Picture – Drama
- Avatar (I haven’t seen this yet. I know, I should be shot. I don’t even really want to see it either, I kind of just want to watch it so I can stop people going to me “Oh my GOD, you have to see it, it’s the best movie EVAS!!1!”)
- The Hurt Locker (I missed this at MIFF and have been kicking myself over it. Kathryn Bigelow FTW!)
- Inglourious Basterds (Crazy amazing AWESOME movie, but probably too crazytown for American voting panels)
- Precious: Based on the Novel Push by Sapphire (Look, I don’t care how supposedly amazing this flick is, that is a goddamn obnoxious title. I don’t want to see something with that damn tangled mouthful of a title)
- Up In The Air (I’ve watched the trailer and at best can muster up a “Meh?” I don’t know, I hope it’s better than it looks)
I really have to agree with Grrliz on this one – these are in the main some pretty boring looking flicks. Where is Moon? Star Trek (which hasn’t been nominated for ANYTHING, imagine how pissed I am at that)? Where The Wild Things Are? Up, which I know is in the animated category, I would class as even better than Inglourious. What the eff, Hollywood Foreign Press?
Best Motion Picture – Musical or Comedy
- (500) Days of Summer (Oh yay, that’s pleasantly surprising, hooray for remembering it!)
- The Hangover (Very funny, but kind of have to admit it’s strange seeing it nominated for awards. Suppose that’s the power of a hefty box office return)
- It’s Complicated
- Julie & Julia (Forget it, Jake, it’s Meryltown)
- Nine (Glad to see an actual musical in this category! And how excited am I to see this? I AM SO DAMN EXCITED)
Best Performance by an Actor in a Motion Picture – Drama
- Jeff Bridges for Crazy Heart
- George Clooney for Up In The Air
- Colin Firth for A Single Man (By all accounts apparently completely carries this film)
- Morgan Freeman for Invictus (IT’S MORGAN FREEMAN PLAYING NELSON MANDELA, PEOPLE, IT’S A COMPLETE GIVEN, AWARD PLEASE!)
- Tobey Maguire for Brothers (AHAHAHAHAHAHAHAHAHA… I’m sorry, I shouldn’t be so dismissive, but *snerk*, I’m sorry, my face won’t stay straight…)
Hang on… Where’s Sam Rockwell for Moon?! I CALL TRAVESTY!!!
Best Performance by an Actress in a Motion Picture – Drama
- Emily Blunt for The Young Victoria (I LOVED THIS MOVIE! SO MUCH! Y’ALL NEED TO POP OUT AND SEE IT… NOW!)
- Sandra Bullock for The Blind Side (Whut?)
- Helen Mirren for The Last Station (Always nice to see the Dame up for a gong)
- Carey Mulligan for An Education (This was easily the performance of the year for the ladies, but sadly I have a feeling that she’ll lose out to the lass from Precious: An Obnoxious Title)
- Gabourey ‘Gabby’ Sidibe for Precious: Based on the Novel Push by Sapphire
Best Performance by an Actor in a Motion Picture – Musical or Comedy
- Matt Damon for The Informant! (Ha ha, yes! He and the music were totally the best things about that movie, ohh, I kind of want him to win now)
- Daniel Day-Lewis for Nine (What’s the bet that he’s going to win simply for being Daniel Day-Lewis?)
- Robert Downey Jr. for Sherlock Holmes (I love you, Robert, but this seems a little incongruous)
- Joseph Gordon-Levitt for (500) Days of Summer (This is totally deserved, though I’m kind of a little surprised that Zooey Deschanel wasn’t nommed in the actress category for this film as well, she utterly carried a character that was almost designed to be hated and instead she managed to play her with a completely understandable dignified humanity)
- Michael Stuhlbarg for A Serious Man (Argh, I need to see this, it’s been out here for weeks, I just haven’t gotten around to it)
Best Performance by an Actress in a Motion Picture – Musical or Comedy
- Sandra Bullock for The Proposal (THIS IS A TRAVESTY)
- Marion Cotillard for Nine
- Julia Roberts for Duplicity (Really? REALLY?!)
- Meryl Streep for It’s Complicated
- Meryl Streep for Julie & Julia
Has it really been such a bad year for lead actresses in comedies that we’ve been forced to nom Meryl twice? We could have had Zooey for 500 Days here.
Best Performance by an Actor in a Supporting Role in a Motion Picture
- Matt Damon for Invictus (Look, if Matt Damon doesn’t win anything I am going to be a sad panda, I love that man)
- Woody Harrelson for The Messenger (Who has been super pleased at the sudden explosion of Woody Harrelson on our screens this year? I have been super pleased)
- Christopher Plummer for The Last Station
- Stanley Tucci for The Lovely Bones (I have massive mad love for Stanley Tucci, and am figuring that watching him in The Lovely Bones will be as guilt-ridden an experience as watching Ralph Fiennes in Schindler’s List)
- Christoph Waltz for Inglourious Basterds (Performance of the year for the lads by a wide, WIDE margin)
Best Performance by an Actress in a Supporting Role in a Motion Picture
- Penelope Cruz for Nine (Y’all know my giddy infatuation for Ms Cruz, assume that I’m swooning then move on)
- Vera Farmiga for Up In The Air
- Anna Kendrick for Up In The Air (Who IS Anna Kendrick? All I know her for is Twilight, where she apparently is the only bright spot in those epic drudges of terrible movies)
- Mo’Nique for Precious:Based on the Novel Push by Sapphire
- Julianne Moore for A Single Man
Best Director – Motion Picture
- Kathryn Bigelow for The Hurt Locker (YEEESSSSSSS! Here is hopefully the first step to the first female director winning a best director Oscar. About time!)
- James Cameron for Avatar (How predictable)
- Clint Eastward for Invictus (Like Grrliz, can help but think they just reserve a slot for him every year now)
- Jason Reitman for Up In The Air
- Quentin Tarantino for Inglourious Basterds (Could you imagine the acceptance speech? Sad that because of the Cameron/Eastwood factor it probably won’t be a reality. Also, I want Bigelow to get it more)
Best Original Score – Motion Picture
- Avatar (I’ve heard the music over the end credits from wandering in to clean cinemas at work, and dear lord did I get the most vomitous flashback of ‘holy shit it’s 1997 and Titanic is the biggest waste of three hours I’ve ever seen’)
- The Informant! (After Matt Damon the best thing about this movie)
- A Single Man
- Up (Even just a couple of notes from this score popping into my head are enough to reduce me to the giant bubbering mess I was all three times I saw Up. Should win, just hope it will be taken as seriously as the non-kids friendly flicks)
- Where The Wild Things Are (If Up doesn’t get the gong, this should. Hope Karen O gets the Best Original Song category as well)
Best Animated Film
- Cloudy With A Chance Of Meatballs
- Coraline
- Fantastic Mr. Fox
- The Princess and the Frog
- Up
Look how strong this field is this year! (Except for the Disney, what the hell is it doing here?) 2009 was an amazing year for animation, I’d be happy to see Coraline, Fox (my boy Wes Anderson doing animation for the first time, I’M SO PROUD! {yes, I’ve reconciled myself to the clear Americanisation of a British tale, I can never stay mad at Wes for long}), or Cloudy win (Cloudy was heavily underrated, I loved it so much!). But… Up was clearly the film of the year, animated or otherwise, no question.
Best Foreign Language Film
- Los abrazos rotos
- Baaria
- Das weisse Band – Eine deutsche Kindergeschichte
- La nana
- Un prophete
Wow, I’m surprised, I’ve heard of none of these except for Los abrazos rotos. Hang on, La nana might have been at MIFF…? I didn’t see it anyway. By all accounts Los abrazos rotos is minor Almodovar, but considering minor Almodovar is better than the best of a load of mediocre directors put together, I’d put the quiet money on him.
Best Television Series – Drama
- Big Love
- Dexter
- House M. D.
- Mad Men
- True Blood
I know people generally have televisual fits of glee over all these shows, but apart from Dexter, eh, the rest leave me a bit cold. Especially Mad Men, what the heck is the appeal behind the surface pretty?
Best Television Series – Musical or Comedy
- Entourage
- Glee (Okay, so I loved the pilot of this with a mad, burning love, but have been increasing more and more disappointed as the series has progressed. Mainly because Will is clearly A MASSIVE GIANT FUCKSTICK, no one ever pulls him up on his obvious horridness, and he is supposed to be the audience’s main source of identification. Yeah, no. Let’s not even get into the completely dodgy gender politics)
- The Office
- Modern Family
- 30 Rock
Either The Office or 30 Rock should win, and both would make me happy.
Best Performance by an Actor in a Television Series – Musical or Comedy
- Alec Baldwin for 30 Rock (YAY!)
- Steve Carell for The Office (EVEN MORE YAY!)
- David Duchovny for Californication
- Thomas Jane for Hung
- Matthew Morrison for Glee (Is this fuckstick Will? *checks imdb* Oh my god, it is! HELLS NO)
Best Performance by an Actress in a Television Series – Musical of Comedy
- Toni Collette for The United States of Tara (Should win hands down. Any of the other people nominated for ANY of these awards playing upwards of six different totally convincing characters in the one piece? Yeah, didn’t think so)
- Courteney Cox for Cougar Town (There is a show called COUGAR TOWN?! Oh dear lord, I want to die)
- Edie Falco for Nurse Jackie
- Tina Fey for 30 Rock (TRIPLE YAY!)
- Lea Michele for Glee
Best Performance by an Actor in a Supporting Role in a Series, Mini-series or Motion Picture Made For Television
- Michael Emerson for Lost
- Neil Patrick Harris for How I Met Your Mother (SUPER YAY! Oh, he must surely win through the sheer power of his AWESOME)
- William Hurt for Damages
- John Lithgow for Dexter (John Lithgow is in Dexter now?! Hells, I am behind)
- Jeremy Piven for Entourage
Best Performance by an Actress in a Supporting Role in a Series, Mini-series or Motion Picture Made For Television
- Jane Adams for Hung
- Rose Byrne for Damages
- Jane Lynch for Glee (She should win 1. Because she is awesome, and 2. Because increasing Sue Sylvester has become the only voice of reason on that damn show and says what anyone with a brain watching is clearly thinking. Go Jane!)
- Janet McTeer for Into The Storm
- Chloe Sevigny for Big Love